Showing posts with label Amazon. Show all posts
Showing posts with label Amazon. Show all posts

Books as Children - Line of Sight's turn to shine

It's time for Thomas Bladen to go through the looking glass.

 

A well-known author (Richard Bach, I'm fairly confident) once referred to his books as his literary children. When it comes to my Thomas Bladen Spy Chaser novels, I have tried to do something subtle different with each one. Consequently, I love all my literary children equally while recognising their differences.


Standpoint introduces Thomas Bladen and his work in the Surveillance Support Unit. It sets the tone, the alliances and the conflicts. Ideally, it also sets readers' expectations as they enter Thomas's world. It's the eldest child, who carries some responsibility for the children that follow - whether it likes it or not!

Line of Sight follows in the aftermath of the events in Standpoint. It delves deeper into Thomas's working relationship with Karl and the SSU, but also has Thomas taking more of a lead role. We see Karl vulnerable for the first time and we learn more about his backstory. Line of Sight, as the second child, has a touch of pathos about it.

Cause & Effect opens dramatically - twice! - before showing how Thomas's and Karl's lives are now so interwoven that one false move could ensnare them both. Crucially, this book shows both of them sometimes getting it wrong and the consequences. This third child is more independent than its older siblings, and perhaps a little more reckless too.

Shadow State puts Thomas Bladen centre stage, whether he likes it nor not. This time he calls the shots, and with good reason. The past catches up with him and Karl, leading to revelations, confrontations and hard choices. The fourth child benefits from the burdens and experiences of those who came before it. It is more wilful and less inclined to listen to its parents (the author!).

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Find out why Amy Johanson died, why Karl McNeill hasn't set foot in Northern Ireland since he was a teenager, why Miranda Wright might not be the best person to deliver a eulogy but she'll cover your back, and why Thomas Bladen has to turn detective when no one else can.





What can you say apart from please buy my book? Pt 2

Sometimes you need to branch out.

For a novelist, being published presents a whole new set of challenges. You suddenly have to do other sorts of writing, including writing about writing. There are online blurbs, interviews (I'll mention in passing that I'm still available...), and the subtle - or not so subtle - art of promoting your novel.

The first hurdle is deciding what to say after 'please buy my book'. On your marks...get set...write!

Let's start with a little deconstructing.

What makes your novel distinctive?

1 - Genre.

2 - Characters.

3 - Themes.

4 - Plot.

5 - Setting.

6 - The way you use language and / or the use of slang.

That's six topics right away without breaking a sweat and here are four examples.








The next place to cast your net is in the direction of your own writing practice. 

This may include:

7 - Where your ideas came from.

8 - First drafts.

9 - Editing.

10 - Submissions.

11 - Rejections.

12 - Tips you've picked up along the way.

Here's one of mine:


That's another six topics to stick in your quiver!


Further afield? 

Why certainly!

13 - Your journey as an author.

14 - Things people might not know about you.

15 - Your other novels (because you can never have too many).

16 - Other forms of writing (short fiction, non-fiction, copywriting, etc.).

17 - Feedback - the good, the bad and the ouch.

18 - Writers / artists / musicians / films that inspire you, and why. (Four for the price of one.)

Some of the above:







Those 18 topics ought to keep you busy for a while. Try and find as many different places to host the posts and remember to include a little information about yourself and your book/s. 


Speaking of which...

Standpoint

Line of Sight

Why not leave a comment to let people know how you blog about your book? (And where!)

Standpoint - Glossary of British Slang Terms



It's always struck me as slightly strange that we refer to this language as English when it's really an amalgamation of many languages that have changed and enriched it over the centuries. Back in the day (the late 80s, in case you were wondering) I spent a year in the US and soon realised that their English and my English were merely cousins. I realized it with a z for one thing, and that z was a zee for another.

A recent Amazon review for Standpoint reminded me how important it is to have common reference points, as well as a common language, when communicating. With that in mind, here's a glossary of British slang terms in Standpoint for American readers that will appear with the book from now on.

British slang: US equivalent

’andouts: handouts/charity
’scuse: excuse
4 X 4: four wheel drive vehicle/off-roader
arse: ass
bitter (type of drink): ale
blighty: informal/nostalgic term for England / the UK
bollocking: a severe reprimand
bollocks: nonsense (noun)/damn (exclamation)
booze cruise: ferry trip to bring back cheap alcohol
cheers: when not used as a toast can mean thank you
chuffed: pleased/delighted
civil servant: government worker
clogging: filling/blocking
Cockney Sparra: Cockney Sparrow - native Londoner
comprendez: do you understand [French]
craic: an enjoyable time [Irish]
Diwali: Hindu religious festival of lights
dogsbody: servant or underling
downed: drank
dunno: don't know
durn’t: doesn't
easy-peasy: trouble free
exocet: type of missile
fat chance: slim chance
Feng Shui: Chinese system of balancing energies
get it down yer: drink this
give them a tug: pull them in for questioning
had a skinful: was drunk
hen party: bachelorette party
industrial estate: industrial park/trading estate
jammy: lucky
Jaysus: Jesus [Irish]
lamped: beat up/punched
landed one on: punched
matey: friendly
might’a: might have
mobile: cellphone
Murphys: common Irish surname
nicked: arrested/busted
nought: zero
o’him: of him
oik: peasant/lowlife
okey dokey: OK
on’t: on the
oppo: work buddy
owt: anything
Oxbridge: Oxford and Cambridge Universities, equivalent to Harvard or Yale
paracetamol: painkiller
plonked: placed something without care
poss: possible
prat: jerk (derogatory)
promo: promotional film
quid: one UK pound (currency)
Rififi: a classic French gangster movie
s’pose: suppose
scrunched: squeezed into a ball
shandy: ale or lager mixed with a soft drink
shiter: crappier
skint: poor
snidey: contemptuous
Sotheby’s: Name of a premier auction house
summat: something
sussing out: weighing up someone's character or motives
ta: thank you
telly: TV
tenner: ten pound note (currency)
tête à tête: meeting between two people (French)
tha: you
tossers: jerks (derogatory)
tutted: expressed disapproval
walkie-talkie: two-way radio
wi’: with
yer: you
zip-gun: home-made firearm


July 4th

Every item tells a story.
Well, of course I wasn't going to let US Independence Day pass without a blog post. 

After all, as someone once said, parodying a comment allegedly made about Billy Connolly and the shipyards, I spent one year living there and 25 years talking about it. (To which, I replied, "Don't forget about the short stories and the novel.")

July 4th is one of those occasions steeped in myth and history that has come to mean something fixed, even though some of the reasons behind the decisions, battles and, ultimately, the birth of an independent nation are still up to debate. If you're open to a good conspiracy, I recommend The Temple and the Lodge. On the other hand, whether you're British or an American and if you're capable of reflective humo(u)r, you might enjoy this glorious piece on revocation, which airs periodically and has been wrongly attributed to John Cleese over the years. You see, mythology again.

Our ability to attribute fixed meanings to events, or even to non-events, is probably connected to our  innate need to tell stories. As Mark Twain may have said: "Never let the truth stand in the way of a good story, unless you can't think of anything better."

Recently, Thorn Sully and I were chewing the fat over skype about A Word with You Press's inaugural anthology - Coffee Shop Chronicles, Vol 1, Oh the Places I Have Bean. It's a conversation we've had a few times since the book was released into the wild. Should we create a second book? Ought we to focus on an ebook rather than a more expensive paperback, and could we maybe reduce the size of it to slim down the unit price. We chat about the weather too, sometimes.

Anyhow, I happened to mention that it may be time to promote the book a little more deliberately by cranking up Twitter, Facebook and all the other toys. Out of interest and intrigue, I checked the book out on Amazon and discovered that we had zero reviews. That's not a terrible thing; we had sold in low figures after all, opting for a more organic (some might even say lesiurely) approach to marketing. But none

If I explain that there were 100 entries in the anthology, it might go some way to explaining my disbelief. And, since you ask, as I was on the editorial team (as well as being a contributor), it didn't seem right to me to wave the flag personally. We've since emailed all those involved with the book, to ask for their participation, and at least a couple of reviews have appeared.

There is a valuable lesson here, and it's no criticism of those non-reviewers. People are busy; people form and lose connections with equal speed and so we, as writers, need to work hard to maintain a relationship with readers and contributors. Simply creating a book is not enough to keep readers engaged. 

Maybe they didn't like it. Maybe they didn't even know it was out there. Maybe they're wondering why we haven't been in touch since the book launch (we actually have a website and online community at www.awordwithyoupress.com, but we have had some changes recently). 

Who knows?

What we do know is that it's up to us to make the relationship work with the reader (and the contributors). 

It's important to separate facts from conjecture and to not get lost in our own stories about what we consider to be the truth. So, stories on the page but not off it!

Happy Independence Day, people, wherever you are!






Guest spot - Tracey Sinclair - Dark Dates


They say you never really know someone until you live with them and I've found that applies to writers as well. By which, I mean, it's only when you spend quality time with them that you begin to understand what makes them tick and what life experiences they're drawing upon.

Sharing a blog like Strictly Writing is a little like being in a relationship of sorts, or maybe a creative commune. We share ideas and anecdotes, as well as excerpts. However, sometimes one of us will post something that's so visceral that it cuts through any intellectualising and brings you to a standstill.

Fellow scribe Tracey Sinclair did just that recently when she blogged about grief and creativity - you can find it here and I recommend a second reading. You'll also note from the comments we received that Tracey's willingness to share exactly what was going on in her life really touched people.

I caught up with her to find out more about her journey as a writer and how her recent experiences had impacted on her writing practice.


Was it a difficult decision to talk so openly and personally about where your life is right now?

It was and it wasn’t – I have blogged about personal things in my life before so it wasn’t a new thing for me to do, and I do think there is genuine value in sharing these kinds of experiences, but actually writing it and getting it out there was far harder than I thought and felt quite exposing. The reaction I got from people made me glad I did it though, as lots of people got in touch to say they found it inspiring and moving.

Have you found writing to be therapeutic and does this change how you write?

Not therapeutic, no, I don’t think so. I enjoy it and it makes me happy, so that has, I suppose, a therapeutic value, but I’m not one of those people who finds some sort of catharsis through writing.

You have a foot in two writing camps - fiction and copywriting / editing. How do you make time for both?

Part of the reason I became a freelancer was so that I would have more flexibility and be able to fit in more fiction writing. Because I can set my own hours I can adapt my work schedule as needed, and work whenever and wherever I want. Sometimes that does mean working very long hours and every day of the week but I don’t mind – I’m happy to be writing at 2am if that’s what it takes to get something done.

What's next for your main character, Cassandra Bick?

Cass came from a place both of love and frustration – I love the urban fantasy genre but I was sick of the fact that the female characters seemed to fall squarely into two camps, these days: impossibly kick ass lone wolf women or swooning teens, and there didn’t seem to be a place for a woman who you could picture yourself having a drink with, a woman who you can imagine living in the real world and who has friends and a job – someone a bit like me, I suppose, only with a far more interesting love life! I also wanted to write something that reflected modern London (and modern life) so wasn’t just peopled by straight white people. Plus I love writers like Jim Butcher and Joss Whedon who realise that adding humour to something doesn’t devalue it or mean you make it less serious; you can care deeply for characters but still tell a joke, or recognise how ridiculous a situation is. I love the fact that in Dark Dates many of the characters, especially Cass, realise just how insane their lives are and can still make jokes even when things are tough, because that’s how people cope with extreme situations.

In terms of what’s next for her, I honestly don’t know – I have a vague idea of what’s going to happen in the third book, but I won’t know until it’s written, as I tend not to plot too far in advance, I like the story to unfold as I’m writing it. In terms of being affected by my own recent experiences, I don’t think her storyline will be. She’s already lost people and is no stranger to grief so that isn’t a new subject for the books, and I have no plans to shoehorn anything in to write through my own experiences. I imagine all of this upheaval will come out in something, somewhere, but not just yet and I’m not sure these books are the place for it. 

What's your process when writing a Cassandra Bick story?

I tend to start with character sketches or short scenes – sometimes funny, sometimes not – that allow me to give ideas a work out then expand that into a handwritten first draft. Sometimes these stem from the fact that I think something would be funny, sometimes just from an idea I had that I’d like to see how it looks written down. I then do another handwritten draft because I think the fact that it’s a laborious process makes me pay more attention and notice mistakes. I rarely build scenes around humour, but I do reread them once they’re done to see if I can puncture any po-facedness, as that’s one of the things I want the books to avoid. I’m with Joss Whedon (again!) on this one, where he said – and I’m paraphrasing because I can’t recall the exact quote – make it as dark as you like, but then for God’s sake, tell a joke.

When and why did you decide to self-publish?

I had two small press titles published in the literary fiction genre, and was struggling to find anyone to take Dark Dates because, apparently, ‘vampires are over’, but it wasn’t the kind of thing my existing publisher would be interested in. So I thought, sod it, and just put the book out there myself, partly because I just got bored of waiting for any progress and I just wanted the first one off my desk. It’s been quite the learning curve – it’s far harder work than you’d think – but I’m glad I did it, as so many people have told me they loved the books and the reviews have generally been excellent, so it makes me feel like I wasn’t deluding myself by thinking they were good!

Where can we find any other interviews?


Where can we find out about your books?


And where can we buy your books?




Guest spot - The Chapel in the Woods


Once upon a time, not so long ago - all right then, it was only back in August, Susan Louineau sat in the virtual chair and told me about her ebook, The Chapel in the Woods, which she self-published this year.

Unlike me, Susan has a track record in marketing and put all that knowledge and experience to good use by creating a buzz for her book

I caught up with her recently, in a cafe overlooking a windswept harbour, where she attempted to enlighten me about the joys of being a successful self-published author. 

I had my peppermint tea in one hand, a forkful of chocolate brownie in the other, my notepad on the table and ears pricked up. Who says men can't multi-task?!


What made you choose to go with Kindle from the beginning? 

To be truthful at the time I didn’t realise there were so many platforms for epublishing but I think I chose the right one as I’m not sure there are many souls in this world who haven’t bought something from Amazon at some time or another.

Which has been the best social media tool for you? 

Twitter wins it hands down on this one.  When I first published The Chapel in the Woods I told all my friends on Facebook who were extremely loyal and downloaded it and some even read it and reviewed it favourably.  I quickly realised that once my personal connections had been exhausted I wasn’t going to sell very many.  If no one knows about your product they can’t buy it! I was no social media fanatic and had seen no use for Twitter previously but as soon as I started gaining new followers and following  the example of other authors the books began to sell and the reviews came rolling in. 

At what stage did you put your marketing plan into action, and would you change it for future books?  

I put it in action really rather late.  Next time I will start creating a buzz about the new one as soon as I have completed the first draft.  Now that I have established a worldwide readership I have a significant number of customers who are eager to read the next one and provide reviews early on.

Can you explain the logic of the Kindle giveaways? Call me stupid, but I don't see how giving away books can encourage people to then buy them.

When you self-publish with Kindle you are initially an unknown entity.  Your book appears on the Amazon rankings to begin with quite high up, CITW came in at 4,000 in Fiction; which may seem terribly low but out of half a million novels that’s actually not bad*.  If you don’t sell many your ranking quickly slips.  Let’s face it we’re all a bit lazy and when we open our Kindles/e-readers to browse for something to read we will look at the top 20 or 40 most of the time but often won’t go any further.  

Kindle has both a free chart and a paid chart which appear side by side when you open your device or view on the website.  If your novel is languishing at the bottom no one will know it’s there.  We all like a freebie and giving it away for a set time period, two days in my case, will send it up the free chart and hopefully to the first page for the world to see. 

What's your progress with your current work-in-progress, The Weather Gods?

I am still in the research and plotting phase for The Weather Gods.  It is important for me to learn something new when I write a novel.  CITW taught me about life in the Dark Ages in both England and the feudal Loire Valley and the struggles of the resistance and SOE Agents in the 2nd World War.

The Weather Gods is opening up a whole new raft of knowledge for me; from meteorology to celtic mythology. Writing has given me the opportunity to be an eternal student, for which I feel blessed.

I mentioned that your marketing approach has really worked for you so, without giving away all your secrets, what were some of your goals and the results?

I heard that the average sales for a first novel are around 300 – 500 in a 12 month period; I decided to set my target at the top end.  CITW smashed this target in just 2 days after the free promotion ended.  Having reached #3 in the Free Fiction chart within 40 hours, it hit #2 in Amazon’s paid UK Spy Stories category by the fourth paid day. 

In your opinion - and this is a biggie - is it possible for a part-time cynic with maybe half an hour a day to make a difference to the success of a new ebook? I ask because my own self-pubbed fantasy, Covenant, should be out soon. All tips gratefully received!

Absolutely!  The best advice I can give is to start networking on Twitter and find the people who will be delighted to read your book, review it and tell their friends.  There is a very supportive network of self-published authors on Twitter who are more than happy to read and spread the word about your work.

One of the biggest pleasures I have discovered is reading other indie authors’ work in all kinds of genres that I would almost certainly never have picked up off a bookshop shelf.  I have discovered a plethora of talented writers that have unexpectedly extended my range of personal taste in fiction. 

Now that The Chapel in the Woods has begun to make a name for itself as an ebook, have you considered making the move to paperback as well?

Yes, I have begun the formatting process for a paperback edition for all those who are reluctant to indulge in the current e-reader frenzy and I hope to release it in time for Christmas.

Links please!

My Twitter handle is: @susanlouineau and you can find me here - https://twitter.com/susanlouineau

Chapel in the Woods can be purchased here: 




So what is your experience of self-publishing ebooks? 
Have you formed the same conclusions as Susan, or did you take a different path?


* Blimey!

What to ask a publisher

I knew a woman on Staten Island who had a knack for finding coins. She, being a devout Catholic, thought it was some kind of telepathy / magnetism thing rather than any mystical ability (and no, she didn't have a metal detector walking-stick). By all accounts, she racked up a tidy sum over the years - in dimes, nickels and pennies.

I've developed a bit of a talent myself, lately. It seems that wherever I submit my books, the first thing the editor says in reply is: 'Have you got any spare money?' Well, it's more subtle than that but the end result is the same. I'm talking about shared cost publishing. I have mixed views at this point; a cocktail of disappointment, hope, cynicism and bewilderment.

On the one hand, I can see that publishing a book is expensive, especially where one of my novels works out to almost 500 pages (I did the maths on Lulu and gave up!). And I'm not blind to the global financial meltdown that's still pooled at our feet like last month's candles. But somehow it feels like I'd be buying someone's endorsement rather than earning it.

The excellent Writers Beware waves from the shore to steer me from the rocks of vanity publishing. I could quote you horror stories aplenty now, of writers who invested their cash only to see poor quality material - or no material at all - and a non-distribution service to match.

Then there is the question of sales. It's one thing to see your work on Amazon but another entirely to generate enough actual sales from the web and shops to get a return on your investment. And let's not forget that you'll likely be selling off your debut work. Something that may have taken a long time to create.

So, what to do? Well, apart from checking with Writers Beware and the Society of Authors, you could try my approach. I ask straightforward questions. They're not difficult - any self-respecting publisher should have them to hand.
They are:
1. Will it be Print on Demand or Print in Advance (conventional printing)?
2. What's the distribution network? i.e. Are you linked in with Gardeners / Atlas so that shops can order the books as well as there being web sales?
3. How do the costs break down - and how much money is involved?
4. What is the break-even point? This is crucial if you aim to recoup your investment and / or turn a profit.
5. Is there a marketing plan for my book? Basically, how do they propose to sell it?
6. What's the success rate with other authors?
7. Can I speak to two or three of those authors?
8. What's the frequency of payment for sales?

I think, if writers approach it as a business proposition, they're less likely to be swayed by other factors that might part them prematurely from their hard-earned cash.

As for me, I remain open to all options, while I wait for three different lists of answers!

http://www.sfwa.org/for-authors/writer-beware/