One, two, free.

Of all the words guaranteed to fire a writer up, few inspire as much passion, controversy and vitriol as the word free*. Many writers, starting out, are happy (or, at least, prepared) to allow their work to appear for gratis. There are some valid reasons for wanting to do it: gaining a publication byline, gaining a link / pdf for your portfolio, or gaining feedback, to name but three.

Critics argue that everyone deserves to be paid for their time and their labour, often bringing out the time-honoured plumber analogy.

I've been vocal in the past about the perils of writing for nothing, unscrupulous editors who exploit desperate writers and competitions where the rules insist that all entrants give up first rights to their submission, even if they don't make it to the final.

By way of balance, I should point out that I've written material for royalties that only existed in principle and never materialised in my bank account. I've also willingly written and edited for free because I wanted to help out or the cause / publication / website interested me.

The thing is, much as it pains me to say it, I've started to realise how much all writers rely on free stuff.

I use online news gathering services and websites to source topical material for gags and sketches. Similarly, Youtube and websites for lyrics enable me to create parody songs for performance. The web is also a brilliant research tool when I'm checking facts for articles and features (not just Wiki, honest!).

When I'm not listening to old radio progs on BBC iPlayer, I tend to go for either Beatles Radio or one of the Live365 stations.

Need some writing advice? There's a ton of it out there. I regularly read tips, links and content from Sophie Lizard, Jon Morrow, Gary Smailes, Mark Silver and others.

Looking for free information about paid writing gigs? Craigslist has been good to me.

Fancy a little distraction? How about a few games of pool on Miniclip?

And let's not forget a few of the essentials for jobbing writers - Skype, Dropbox, Webmail, Blogs and all those free apps.

Of course, as you'll have surmised, some services and information are given freely as an incentive to sign up for a more comprehensive version. I think that's fair enough. It's the closest you'll get to a free lunch.

So, free or not free - what's the verdict?

Everything may be black and white on the page, but trust me, off the page, it's a lot more colourful.

* Okay, maybe plagiarism - I'll give you that.

Creativity, illness and The Silent Hills

A recent piece on the BBC website by Health report Michelle Roberts, caught my attention. Headlined 'Creative minds mimic schizophrenia', the article cited a conclusion drawn by scientists at Sweden's Karolinska Institute.

In essence, brain scans of highly creative people and those who suffer from schizophrenia show striking similarities.

You can read the BBC piece here: http://news.bbc.co.uk/1/hi/10154775.stm

We are, of course, used to the notion of the tortured genius, and it may be worth noting that a popular creative writing technique is to just close our eyes and listen to 'the voice within'. I have used this approach to good effect, on occasion, when a clear voice will come through and tell its story. In my opinion, when this does work, the stories themselves have a different quality and arrive whole, with little plot or narrative editing required.

I used to travel regularly between the West Country and London; so regularly that I'd trained myself to see travelling time as writing time. One time, I looked at the cover of a train mag and saw a tiny photo of green fields. From there, I hopped from Green Hills to Silent Hills. Then I closed my eyes and listened for that elusive voice from the depths of my imagination. I didn't stop to question what was coming or from where it had been influenced, I just waited and listened, as my pen hovered.

The Silent Hills arrived over the course of the journey, in free flow. The protagonist's voice was there from the start and my only real effort lay in keeping pace with him and writing down his words. When we pulled into Paddington, I ran to the Underground so I could sit down again and pick up the thread.

The story was published in Issue 2 of the Black Market Review. The Silent Hills was subsequently published as an ebook by Musa Publishing.