Showing posts with label Stephen King. Show all posts
Showing posts with label Stephen King. Show all posts

Life hacks from writing fiction

Lovers of fiction, whatever the genre, will often tell you that it's true to life (for them) and portrays real people with real emotions, often going through extraordinary circumstances. Fiction allows us to live vicariously, and to explore 'what if', often - to quote from the TV classic, The Water Margin: "...In a world very different from our own."

Of course, it could be said that fiction - and especially the writing of fiction - also has a lot to teach us about life in 'the real world'.

1. Character is revealed by how a person responds to circumstances.
Think about Stephen King's The Dead Zone for a moment, and the insight we gain into Greg Stilson from his first scene. It tells you everything you need to know. We have the full measure of him for the rest of the book.

2.   Show, don't tell.
Following on from the previous item, talk is cheap actions speak louder than words (although they are revealing too).

3.   Adverbs give colour to actions. As Bananarama sang, it ain't what you do but how you do it. Think about the difference between smiling joyfully and smiling malevolently. For those of you who rally against the humble adverb (one wonders exactly how you rally), just consider how you might want your actions described in some other way.

4.  Life is a series of drafts, followed by a series of edits.
There's a common idea that the first draft is for the writer, the second draft is for the reader, and all subsequent drafts are for the agent / publisher. The important point is that writing - like living - is a process rather than a destination. It's also not a pass and fail exam. If life deals you a rejection or a failure, it's time to regroup, redraft and redouble your efforts.

5.  It stops when you do.
One often cried writers' lament, especially in the early days, is: "When does it get easier?" Or they ask what it takes to be a proper writer. The funny thing is that getting published doesn't make you a writer. It makes you published, sure, but it's only writing (and continuing to write) that bestows that title on you fairly. In life, a dream or ambition is only over when you say it is. No one else, just you. Of course, you may have to modify your goals and aspirations - that's part of the editing process too!

6.  NANOWRIMO
November is National Novel Writing Month, although any month will do. It's a commitment to lay some foundations, however rocky, and worry about the quality later. Writers aim for and commit to a certain word count per day for an entire month. They share this goal and activity with other writers who offer mutual support, because everyone wants everyone to do well. Whatever you are doing, it's important to find a supportive environment, preferably with knowledgable peers, and to learn as you go along.  

7. Plotters and Pantsers
Some writers don't write a word of prose until they know exactly what happens to whom and when. For others, writing is a glorious leap of faith, starting with a seed of an idea and raw enthusiasm. Whatever your style, either way, it's a journey of becoming. Sometimes in life, prior planning prevents poor performance. At other times, you can't afford to wait, so dive in!

8. Take your inspiration from life and the lives around you.
Many first novels draw directly from personal experience, whether it be composite characters from your own life, or true stories you've seen, heard or known first-hand. Writers know that when you pay attention, look closely and listen, the world is filled with extraordinary people, each with their own unique stories. There are also universal themes, played out in subtly different hues on living canvases. Whatever you aspire to become, or struggle to deal with, know that someone else has stood in very similar shes and found a way through it.  

9. POV
Point of View. Three small words that make all the difference on the page. I once started a novel drawing directly upon personal experience, so I naturally wanted to write it in first person. However, I soon found that intimacy constraining. What I did was start afresh, in third person, and then I found it easier to separate my book and what my characters did from what had actually happened (well, according to my recollection, anyway). In the end, after several chapters and a few thousand words, I went back to first person, but with a different perspective on the scope of the book and what could happen. 

Another word for POV is perspective. Writers learn that even in their own books it's not always about them. Characters do strange things, suggest new ideas, confound us and generally breathe new life into our fiction - if we're lucky. Life can do that too, often when we least expect it. Sometimes it's about something bigger than our needs and our concerns. A shift in perspective can make all the difference.    

10. Writers write - what are you?
Like I said earlier, you can tell a writer because she or he writes. It's as simple as that. Any qualitative assessment is for the critics. So if you want to know who you are, and who you're perceived to be, take a close look at what you do on a regular basis!

Guest spot - Sarah Painter - The Language of Spells



Writers can be a little like children, who only stick with the kids that enjoy the same games. Only, in our case, we writers can suffer from genre-phobia. 

Silly really, because the writing process is the same (inspiration, torture and progress, in that order) and the elements of good writing are the same (captivating plot, engaging characters, authentic dialogue, etc.). 

It can be really invigorating to meet writers of other genres to see what inspires them to put pen to paper, and where it has taken them. So, without further ado, I'd like to introduce you to Sarah Painter, who has kindly agreed to answer some questions

The Language of Spells can be described as Magical Romantic Fiction - what drew you to write this kind of book?
I was in a total writing slump. I'd just finished a masters in creative writing at St Andrews and had spent the previous year trying to change my natural writing voice into something more literary. Plus, I'd parted company with my agent (amicably) which I knew was the right move, but it felt very scary. I wanted to cheer myself up so I thought I'd try writing the kind of book that I enjoyed reading when I was in need of comfort - warm romantic comedy. The magic just crept in; very subtly at first, but then it grew...

Did you do any research into beliefs and superstitions?
I love books that mix magic with the everyday world, and have always read widely in folklore, myths and legends, so I already had a fair basis of knowledge. I did research herbalism and checked which plants would actually be available in Gwen's garden in Wiltshire.

When did you realise you were writing a series, and what additional challenges does that bring?
Um. I didn't, actually, but was absolutely thrilled when my publisher asked if I'd write a follow up to the book. After years of rejection, hearing an editor say 'we love these characters and this world and we'd like more' was amazing.

Which writers have inspired you, and continue to inspire you?
So many! I'm inspired by the work ethic and tenacity of all my writer friends. Back before I wrote my first book I was inspired by Stephen King's On Writing to just get on with it, and I'm inspired every time I read a book that I love.

Tell us about your current book and its protagonist.
It’s a contemporary story of family and romance, with added magic. Here’s the blurb:

Gwen Harper left Pendleford thirteen years ago and hasn’t looked back. Until an inheritance throws her into the mystical world she thought she’d escaped. Confronted with her great-aunt’s legacy Gwen must finally face up to her past.

The magic she has long tried to suppress is back with a vengeance but gift or burden, for Gwen, it always spells trouble. She has to stay – she has nowhere else to go – but how can she find her place in the town that drove her out after branding her a witch…?

Where can we buy it?
Thank you for asking! It's available from amazon.co.uk and amazon.com. I believe it is also going to be available for Kobo and Nook, but it's not listed on those sites, yet.


What question did you hope to be asked?
Would I like a drink? Tea. No, wine…Tea, then wine.

What question were you glad never came up, and why?
How long it takes me to write a first draft (I’m slow and it makes me anxious to think about it!).

And finally, as an aside*...I've written a transatlantic comedy drama, Scars & Stripes, which has been described as 'bloke lit' or 'lad lit', and has some romance in it, after a fashion. In your experience, are there many male romantic fiction authors out there?
Great title! Yes, I think there are plenty of male romantic comedy authors (although they are often branded differently to their female counterparts). Mike Gayle, Nick Hornby, Mil Millington, and Matt Dunn spring to mind.

Thank you so much for hosting me, Derek!


My giveaway (to win a Nook e-reader) ends tonight

And I will be appearing on Chick Lit Reviews tomorrow 




My website:

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* 'Aside' being a byword for, "Please help me with my research."

Guest spot - Paul Vincent Lee - Defending Joe

Often in a novel, alongside the protagonist, antagonist and a host of other characters, there will be an additional presence. I'm talking about the location. Sinclair Macleod's series that started with The Reluctant Detective is based in Glasgow and that's also the setting for Paul Vincent Lee's debut novel, Defending Joe. I caught up with him recently over email and put him on the spot.

What sets Glasgow apart for you?
My debut novel, “Defending Joe”, is set in Glasgow and although that can maybe be seen as a little bit unadventurous it did make it easier to visualize scenes so it does have its advantages.

Just as can be said for any relationship, whether it be with a partner, kids or whatever…you can love something but not actually like them all of the time…and that is how I feel about Glasgow and, indeed, Scotland. But it has undoubtedly shaped me as a writer…for better or worse.

How did your main character appear and did they change from your first draft?
My main character changed dramatically from the initial idea…not least in that it changed from a woman to a man and from a cop to a civilian. 

What made you decide to go down the self-publication route and what have been your main lessons?
I guess self-publication came about through a mixture of not getting any mainstream publishers to take me on, although Canongate were encouraging, and a drive to just move things on in whatever way I could. I certainly don’t regret the journey although it was stressful & frustrating at times especially if, like me, your I.T. skills are limited! Lesson…Just Do It. 

What comes first for you - plot or character?
Neither! An idea for the beginning of a story takes shape and I let things flow from there. The best thing I saw written about a story was by Stephen King who says that stories are like unearthing a skeleton…you slowly uncover it without really knowing what it is until it reveals itself to you.

What are you working on at the moment?
To be honest my main focus at the moment is marketing “Defending Joe”. I know some writers claim not to be interested in sales, and I don’t quite understand that, but I am as my dream is to make an acceptable living from novel writing. That’s not to say that writing isn’t involved, but what I am trying to do is learn the “business” side while pondering the writing side.

How would you define the Glaswegian character?
Funnily enough I feel there is a close link between drama and comedy in the Glaswegian psyche. Glaswegians love self-deprecating humour and laughing at the absurdity of life, which is often reflected in laughing at tragic situations.

Where can we get hold of a copy of your book?
The book is available now on Kindle and will be available on Amazon at the end of the month or from my website: www.paulvincentlee.com.