One year on

It's tempting to see the world of publication - and self-publicaton especially - as purely a numbers game. That makes for a simple equation: 'n' sales = 'n' success. Likewise, using that logic, small sales = small success. But is that always the case?

It's a little over a year now since I took the plunge and self-published Covenant, my fantasy, in ebook and paperback. I was always upfront with others and myself that it was never just about the money. That didn't even register on my top five list:
1. Get Covenant out there.
2. Get reviews.
3. See whether readers got the essence of Covenant, given its mystical and magical heart.
4. Learn about marketing (another form of mysticism and magic, as far as I was concerned), and what works for a book like mine.
5. Go into a bookshop and see Covenant on the shelf.

Okay then, maybe sales / money was hovering around six or seven.

So how did I get on and what have I learned?

1. Covenant is out there and I'm very proud of it. Both the ebook and the paperback versions benefited enormously from my having supportive friends with technical expertise of, on the one hand, formatting ebooks and negotiating the labyrinthine (to me) process of setting everything up on Lightning Source, and, on the other, turning a word doc into an actual book file. I also discovered that one more proofread is worth its way in gold (let me know how you do that). It's all fixed now, but early purchasers may find those few typos make it a collector's item in the years to come!
2. I have a clutch of reviews by people who clearly appreciate what Covenant is about. I mean the deeper stuff - the story behind the story. I can always use more though - just in case anyone is still holding back.
3. Some readers loved Covenant and wanted to discuss it with me. That was fun. Others found it too long and wordy (as opposed to numbery, which only applied to the top right of the page header). Them's the breaks, as they say.
4. What I learned about marketing and sales may be specific to me, but I'm the caring, sharing type:
a) Chain and independent bookshops are not that interested in self-published novels. You can chat for a few minutes, leave a paperback and an ebook on a disc, shake on it and still never hear from them again. They have a business to run and if you can't demonstrate the profitability of your book - or you get your timing wrong - you'd best chalk it up to experience.
b) Giveaways on Kindle help spread the word, but don't hound your Twitter followers with endless (if occasionally witty or ingenious) messages about your opus. Also, freebies do not automatically lead to reviews of any persuasion. I gave away about 300 copies and received a single review - but thanks anyway.
5. I regret to report that I'm still waiting to see Covenant on a shelf in a bookshop. I could sneak one in for effect and have someone take a photo of a delighted me, but that would just be cheating. 

So is that the end of the story then?
Not at all.

I know that Covenant will be a grower and I know that because my portfolio of books is growing. When I read about someone recently who'd written 20 books, I was envious of their productivity. And then I counted up my own books - published and unpublished, novels and others - and it totalled 13. Lucky for some. 

So, although at the moment Covenant is my only full-length novel in print and digitised, it won't be the last. And of course, at some point, there'll be the sequel.

I also know that tribe is really important and I struggled to find the ideal readership for Covenant. I didn't want fantasy readers to try it and find it too esoteric or occult, and I worried that readers of occult books would find it too lightweight to be considered a credible work on the subject.

To some extent I still have that argument in my head. I mean, is Covenant a mystical fantasy, an epic quest, a set of pathworkings, a spiritual allegory, or a book about magic?

The truth is that it's all of those things, and more. You see, that's the thing about a book - it's not just the characters that have lives of their own! It's true of any form of artwork: it is what it is. If you like it, that's genuinely brilliant for the creator. And if you don't, it's a bummer all round, so you'd best move on and find something else more to your liking.

However, if you do enjoy fantasy quests interspersed with ideas about reincarnation, the tarot, pathworkings, mythology, archetypes, magic, mysticism, allegory, the Western Mystery Tradition and the occult, Covenant could be just the thing. That also applies if you have a space in your bookshop!

You can purchase Covenant by clicking on the link: viewBook.at/Covenant 

"It's never about the thing that it's about."

You'd think that being a writer is all about two things:

1. Writing stuff.
2. Getting that written stuff published or at least read.

However, there's much more to it than that and I'll warn you in advance that I may get arty and soulful. To begin with, it's a helluva thing to even consider calling yourself a writer, never mind actually telling other people about it. Because, when it really comes down to it, every piece of writing contains a little bit of you in it - your memories, your perspective, your experience of the people around you, your hopes and also your fears.

It can feel like an indulgence to spend quality time away from loved ones and friends, especially when you're using that time to wrestle with people and situations that you've created in your head. Reading also takes on another dimension. What used to be a leisure activity now becomes a vital part of your craft. You still read for enjoyment, but you also look closely at style, plot, characterisation and all the other elements that already give you sleepless nights.

Or try this one on for size: A writer is an artist.
You write fiction? Congrats - you're an artist.

There's also a deeper, inner level to this writing journey. Julia Cameron's The Artist's Way is a brilliant resource (among others) for getting into the soul of writing. I believe there is a part of every writer that is secretly - and sometimes overtly, on the page - grappling with the big issues - life, death, justice, purpose, love, freedom, etc. 

Sometimes we not only express who we are on the page, we also explore who we wish we were. Read between the lines and it's as powerful as therapy and as real as it gets.

So, here's the thing: when someone tell's you they've written something, or that they're working on something, treat them with kindness. When you give feedback, make it constructive - it's fine to say you didn't like it, as long as you say why. Feedback on what you enjoyed - and why - is also welcomed. However, tell the truth.

Some writers will not get the recognition they deserve. For some, the only feedback they'll receive is the snipy kind on ebook sites or forums. But wherever writers are on that endless and invisible ladder of literary success (often in the eyes of other people) they stay true to their writing. Well, you wouldn't expect anything less from a writer, would you?

Peace

"Peace is a decision, a process, a journey, a commitment. It comes from the desire for stillness within and balance without. It requires vision, to see what can be and not be trapped in what has been. We always live in the shadow of those generations who came before us, as beneficiaries of their struggles, their generosity and also their mistakes. But we honour them - and ourselves - by the way we live now."

Living with PTSD - a UK exhibition

Creativity serves many purposes. It can take us on journeys of the imagination, enable us to present new and interesting ideas to others, and even allow us to begin to heal. 

My friend, Villayat 'SnowMoon Wolf' Sunkmanitu, uses photography and poetry as a coping mechanism for living with PTSD and also as a way of raising awareness about PTSD and the therapeutic benefits of creativity.

Having produced Words of a Wolf, The Way of the Wolf and Soul of a Wolf, he has created an exhibition, Living with PTSD, which shares his work along with insights he has gained from the spiritual traditions of the Native American Lakota tribe. 

The exhibition will be housed at various locations across the UK and is showing from 5^{th -} 30^th November 2013 at Leicester People’s Photographic Gallery, 2 Wellington Street, Leicester LE1 6HL.

There will be a chance to meet Villayat on the opening night from 6:30pm – 9pm on Tuesday 5^th November 2013.  You can find out more about his work by visiting his website: www.wolf-photography.com. 

He would also be happy to hear from you if you have a suitable UK venue for hosting the exhibition. Please contact him via his website.

VILLAYAT ‘Wolf ’ Sunkmanitu has gone to extreme lengths to cope with the daily struggles of post traumatic stress disorder. The former RAF policeman, who was stationed in Northern Ireland in the mid 1980s, has been down the conventional route of NHS therapy and private counselling sessions and tried less orthodox methods by spending time with Native American tribes who practise healing ‘Earth Medicine’.  Staying mainly with the Lakota tribe of the Great Plains in North America helped him explore the root of his PTSD.

The 49-year-old, who grew up in Highfields, Leicester, says: “When you’re learning about ‘medicine tools’ from teachers of this path, you’re learning about working on your spirit – your soul – and it’s a holistic form of medicine that affects your mind and body too.”

Numerous visits to indigenous tribes also enabled him to explore an affinity he feels with wolves and is where the name ‘Snow Moon Wolf’ was bestowed on him by one of the teachers, White Eagle. There, in the wilderness, he was able to photograph wolves and for once, away from the rat race, he felt at peace.

Photography is not the only coping mechanism he has found to handle PTSD, which has wrecked his opportunities to work and forced him to retire on health grounds.  Poetry is also a form of creative therapy – although his poems don’t make comfortable reading.  Titles such as Inner Turmoil, Survivor and Demons in my Soul clearly expose the torment, alienation and stigma he feels.

Villayat, who was born to Indian parents in the UK, says: “PTSD can be very debilitating. When you have a physical injury that people can see, they seem to be more comfortable with you than dealing with an invisible wound.

Villayat went undiagnosed for 12 years – a time he refers to as “hell.” As well as his own emotional difficulties, there’s a sense of injustice and anger about the way he believes many veterans of the Armed Forces have been let down by politicians.

It is 30 years since Villayat left the RAF. He was 19 when he was sent to County Down, Northern Ireland, for a two-year tour in 1983, assisting the RUC and other units engaged in counter terrorist activities. He attributes the mental scars to suppressing his fear during incidents he was involved in as part of his duties and an explosion in Belfast. Anxiety, hyper-vigilance, depression, forgetfulness, disturbed sleep and flashbacks became part of his everyday life and it wasn’t until 1995 that he was officially diagnosed with PTSD after a serious road accident.

Even after diagnosis and treatment, he still can’t cope with busy places or potentially troublesome places so he avoids pubs and concerts and would rather be in the wilderness than walk down a city street.

The Long and Winding Road

Name that song...

This blog post is a combination of three of my favourite things (no...not that...and not that either...) - serendipity, The Beatles and writing.

As you'll have read on this blog - and many others - a modern assumption, aided and abetted by the Internet and social media, is that you can gameplan your way to writing success. Masterclasses, editorial consultants, workshops, agents, publishers, street teams, and comprehensive strategies - all these and more, we are told, will assure you of eventual success. 

Now, before we get into a hoo-ha, let me state for the record that I have no issue with any of the aforementioned in themselves. Why would I when I can personally tick them off my own list (apart from a masterclass, which I couldn't afford!).

But...I'm acutely aware of the role that serendipity has in creative success, and I think it's so often underplayed. To illustrate my point, here is an extremely potted history of The Beatles.

The early line-up was John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best. Stuart left the band to concentrate on his art studies. Brian Epstein saw the band at the Cavern Club, liked them and became their manager in 1962. The same year, Decca Records rejected the group, commenting that: "Guitar groups are on the way out, Mr. Epstein." Despite that sage advice, George Martin subsequently signed them up for EMI's Parlophone label. Stuart Sutcliffe died tragically, aged 22. Ringo Starr (who'd previously been part of Rory Storm and the Hurricanes) replaced Pete Best, a move not universally popular with fans. A total of 12 original UK albums were released between 1963 and 1970, along with over 50 singles. After the band separated in 1970, all four Beatles went on to have solo careers, along with Paul McCartney creating Wings and George Harrison being part of The Travelling Wilburys. John Lennon was murdered in 1980 and George Harrison died in 2001.

Beatle related controversies include:

1. Pete Best being ousted from the band.

2. The original 'butcher' cover on the compilation album Yesterday and Today. 3. John Lennon's oft-quoted (usually out of context) comment about The Beatles being 'bigger than Jesus'.

4. Their time with Maharishi Mahesh Yogi.

5. More recently, Paul McCartney asking for some songs to now be credited to McCartney / Lennon rather than the other way around.

6. A lawsuit against George Harrison's My Sweet Lord brought by Bright Tunes for alleged copyright infringement of the Ronnie Mack song 'He's So Fine'.

I know, all too brief and not enough detail. Buy some books instead!

My point, other than to stimulate your Beatles-related curiosity, is to remind all us writers that fate, chance, or circumstance - call to what you will - has its part to play. Hindsight can make the improbable seem inevitable, and we never fully appreciate all the factors that contribute to success.

They can include:

- Inspiration and influences

- Talent

- Meeting the 'right' people for something to happen

- Making connections

- Timing

- What's going on in the world outside your creative endeavours

- Motivation

- Who's backing you and what influence they have

- What came before you

- What you encounter once you've generated some momentum

- Any controversy you become embroiled with

- How people feel towards you and your creative output

- How long it takes to reach sustainability

- Economics - yours, the business's and the marketplace

Or, as the Fab Four might have put it themselves: I Don't Want to Spoil the Party - What Goes On - All You Need is Love - I Should Have Known Better - We Can Work It Out - With a Little Help from My Friends - Misery - Revolution - Paperback Writer.

Guest spot - Laurence O'Bryan - The Themes of The Manhattan Puzzle

I'm delighted to present a guest post about author Laurence O'Bryan, who writes modern day mystery-thrillers with a twist or three. First there was The Istanbul Puzzle, which necessitated six visits to Istanbul for research (now that's commitment!). Then came The Jerusalem Puzzle, which continued the story and features the same characters. And now, there's the third book in the series, The Manhattan Puzzle, which launches October 10, 2013.

Interesting facts about Laurence in his own words (with additional comments from me in italics).

I was first published by a school newspaper when I was ten. (Start young if you can.)

The Istanbul Puzzle was shortlisted for the Irish Crime Novel of the Year Award 2012. (Get your work out there.)

My roots go back to a small estate deep in the Mountains of Mourne, near the Silent Valley, in County Down, Northern Ireland. (Recognise your own history and heritage.)

I went to school in Dublin, drank way too much, studied English and history, then business, then IT at Oxford University. While a student, I worked as a kitchen porter in a club near the Bank of England. (Live a full life and incorporate it into your writing along the way.)

I have also published a guide to social media called, Social Media is Dynamite. (Diversify!)

Laurence's top tip for writers

"Don't expect easy success, it's an illusion, and don't expect to find a short cut, there's only the long way, but do expect to become a writer through the torment and toil that will make you one."

The Themes of The Manhattan Puzzle

By Laurence O’Bryan

What has been hidden in Manhattan by the most powerful people on earth?

What would you do to a Manhattan banker who treated ordinary people like slaves?

What magic is buried under Manhattan that allows it to rise again from anything the world throws at it?

The BXH Bank Building NYC

BXH Bank building, Manhattan, vehicle entrance visible under the arch.

Image © LP O’Bryan

These are the themes of The Manhattan Puzzle. The story sees Sean and Isabel (my characters from The Istanbul Puzzle and The Jerusalem Puzzle) reunited in Manhattan at the headquarters of one of the world’s largest banks, BXH. There’s been some grisly murders, and now the plot takes a new twist. The contents of the book they found in Istanbul are revealed.

My personal journey with this story grew out of my disgust at the financial crisis that has brought many so low. I am interested in the myths and the beliefs of those who value money above everything.

But The Manhattan Puzzle is about other things too. For instance, what would you do if your partner didn’t come home one night? And what would you think if the police turned up at your door the next day looking for him?

Relationships are under stress everywhere, because of the demands placed on us by our jobs, but few of us will face what Isabel has to face when Sean goes missing. 

There is violence from the start in The Manhattan Puzzle too, but the opening has a woman inflicting it on a man. I am tired of reading about men inflicting sexual violence on women. I think it’s time for the handcuffs to swop wrists. And they certainly do in The Manhattan Puzzle. You can download the first chapter here as a pdf.  

But don’t get me wrong. I love Manhattan. It’s a city in a snow globe of dollar bills. So look in your bookstore and on your E-readers and order it too, if you want. 

To order The Manhattan Puzzle click here.

Or to visit my website click here.

And thanks for reading this and for buying The Manhattan Puzzle, if you do. I hope you find it entertaining and the themes interesting.

Why the unknown is a writer's friend

Get ready guys because the sun is coming...probably.

Life is uncertainty. And I'm pretty certain about that. It's true for writing as well, of course.

Characters walk a tightrope that's fixed to idea at one end and completion at the other. Far below in those chasmy* depths lurk cliche, overworked allegory, formula and a host of other pitfalls.

Plots that start out as something of a romance-turned-sour can end up as terror or slapstick.

And hey, let's not forget what I call the Superwriting trilemma: Is it a bird (short story)? Is it a plane (novella)? No, it's Superwriting (novel)!

So, when you plan to write fiction, the only thing to be certain of is that very little is certain at the beginning. Later, as things progress, other uncertainties fill the spaces left behind.

Who do you show your work to?

When do you show them your work?

When (oh when) is the piece of writing good enough to merit 'The End'? (Which, incidentally, we never, ever write on a manuscript, only in a writing diary.)

See what I mean? Everywhere you turn there's a stack of unknowns, piled high on your plate like unclaimed waffles.

And that's a good thing.

Here's why:

1. There's a prevailing attitude that anything can be learned by rote and then a winning formula can be repeated. Now, I have a keen interest in NLP and the effectiveness of modelling (the kind that doesn't require pouting and swimwear), but while we can model behaviours and techniques, that's no guarantee of a similar outcome. You may well improve the odds of a positive outcome, but that could be another result entirely.

2. Because life is inherently uncertain, embracing that philosophy not only gives you hope, it empowers you to try things others may have done, and even, perish the thought, things they tried and failed at.

3. As nothing is guaranteed except death and taxes (even for corporates, until a tax avoidance scheme is identified), you can try anything.

A case in point. My good friend Sue ran a successful Amazon giveaway and follow-up campaign. She gave away a fair few books and sold oodles afterwards. I, on the other hand, gave away 300 freebies and sold less than a dozen afterwards. Now, there may be many reasons why there was a difference:

- Genre / niche

- Tweet messages (twessages?)

- The style of writing

- The standard of writing

- Mercury being retrograde (if I have to explain it, it won't be as funny)

- The timing of the campaign and the time of day

- Price (last, but never least)

So what do you do when things don't work out for you the way you planned?

Simple. You do something else.

If there's a message here (and I think we're all hoping), it's that you write, you do whatever you feel is appropriate with your writing, and then you write something else.

Actually, I fibbed right at the beginning. There is another certainty beyond uncertainty and it's this: If you stop writing, you stop being a writer. Hand in your badge on the way out.

*chasmy is my new word of the week - neat, huh?

In conversation

Ooh, bubbles!

"We have to decide what sort of writers we are, not merely for the words, but also for how we shall live. 

Does our curiosity about life stir us into new circumstances and chances to be taken? 

Do we let the muse lead us blindly, gladly and madly into the forest of our own imagination, with or without the pen? 

Can we see stories in the everyday, and even, perhaps, where there are none?

Will we embrace the stillness and build a whole universe of ideas and emotions around us?

To be a writer is not to be a mere storyteller - children can do that. To be a writer is to make our readers want the fiction to be true, and to linger long after The End. To be a writer is to to make your readers yearn, to care and above all else to read on.

Yes, we have to decide how we live, on the page and away from it. 

We should not hide from the big questions of life and death. And if we fear then let us turn our fears into words. Our courage too, aye, and our emptiness.

Above all, let us retain and nurture our sense of wonder, for in writing only wonder sustains."




I know six modern writer words; they show me what to do.
Their names are blog, tweet and redraft, spell-check, contract and sue. 

Feedback Deciphered

By any other name...

For those who think sequentially, feel free to consider this post a direct descendant of something I put on Strictly Writing, not so long ago, just for fun.

Rejection can be a bitter pill to take, not least because it isn't always clear what to do next. Oh, sure, you can dive into the Handbook or the Yearbook, but have you ever received a note back from an agent or publisher and wondered exactly what they're trying to say?

Grab a comforting drink and find yourself a comfy space - it's time to break the code...

1. Not one for me this time (because hell hasn't frozen over and we want to stay solvent).

2. Your work shows great promise, however. (Many of the words are spelt correctly and appear in the right order. Well done, you.)

3. Unfortunately I'm unable to give you any feedback (because it's difficult to laugh this much and type at the same time).

4. Our schedule is full for the next year (with real books). (And the year after that I'll do whatever it takes...)

5. However, I'd be interested in seeing your next book. (Go away for a year or so and try to forget about me.)

6. We have a special scheme for new authors. (Do you have any money? We could really use a sponsor.)

7. It's an unusual premise. (Your ideas scare me, or confuse me, or revolt me.)

8. Unfortunately we've recently taken on something similar (only with better ideas and better execution).

9. After careful consideration...(we let the intern decide).

10. It still needs some work. (You've cut corners and it shows.)

11. I hope you won't feel too disappointed by this letter. (I have no concept of how important this is to you.)

12. I wish you every success in finding the right agent or publisher. (Next!)

13. The story failed to come alive on the page. (I want magical pages that sing and dance.)

14. There was insufficient narrative tension and the characterisation wasn't fully realised. (I have an MA and you can't disprove my opinions.)

15. It's not our policy to reconsider previously rejected material. (You again? You may be desperate, but we're not.)

16. This is only my opinion and you may find another agent or publisher who sees your book differently. (I didn't like it - end of story. Someone else might dislike it less.)

About the author
Derek Thompson is a humorist and purveyor of words. Some people mistake that for being an embittered cynic, which is a shame. Especially if they are potential clients. However, if his brand of wit doesn't put you off and you need a writer, drop him a line - he wants to buy more shiny things.